CMYK

The formal reduction of the statements and arguments of a newspaper to its minimal expression (paper and proof bars color) is at the origin of the work CMYK (acronym which designates the quadrichromie printing model). Each of the thirty boards is a copy of the thirty Le Monde newspapers published in September 2016.
Can this drastic graphic reduction be linked to the conceptual extension of a newspaper? Can one foresee the temporal extension that can reach those news?